The Robert Graham Effect

Fashion’s contrarian has fun breaking fashion rules

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It’s a new year—the perfect time to ovehaul the wardrobe. Perhaps even consider buying some “wearable art.” To members of its Collector’s Club (those who own 100 pieces or more), Robert Graham is just that.

Known for its bold men’s shirts, Robert Graham exploded onto a dull menswear scene in 2001, like Picasso, Warhol and Dali crashing an Impressionist party. Imagine a guy who’d wear lemon pants and sunglasses at night, or a raspberry-hued shirt with a navy, pumpkin and baby-pink striped tie. He probably lives in Southern California. He’s the Robert Graham customer. No, scratch that: the Robert Graham collector. Or is he?

He may be, but he’s not the only one. While hipsters in southern climes flock to the I’m-on-perpetual-vacation styles in the casual line, Robert Graham is now just as likely to dress a buttoned-up East Coast banker. The wild child has grown up. Robert Graham has evolved into a full luxury lifestyle brand, known as much for the quiet, hidden details in each piece—the “surprises”—as for the loud fashion statements.

The best surprise of all? The guys behind Robert Graham are right here in Fairfield County.

Robert Stock, Creator

Robert Stock, founder and CCO of Robert Graham, doesn’t come from a fashion background. His father owned a gas station in the Bronx. But Robert admired the beautifully tailored dress shirts his dad liked to wear at dinner and on the weekends. They were the seed of inspiration that planted Robert at the men’s shop Alvin Murray, on the Grand Concourse in the Bronx, where his path intersected with other fashion-obsessed street kids like Ralph Lauren and Joe Barrato (former longtime CEO of Brioni and Westport resident).

“It was 1967,” says Stock, recounting his first meeting with Lauren. “This guy pulls up in a beautiful Morgan, wearing a shearling-lined leather flight suit, goggles and a helmet.” Lauren was selling ties, not even Polo ties yet. “We struck up a friendship. He had started Polo by the time I wanted a full-time job. I went to see him in his tiny office in the Empire State Building to ask if he’d hire me. He said, ‘I don’t even have room to put the ties in here!’ ”

Stock started his own company, but by the early seventies the two boys from the Bronx joined forces. They developed the ultra-successful Chaps collection together. Stock’s own line, Country Roads by Robert Stock, followed, garnering him Coty (Best American Sportswear Designer) and Cutty Sark (Leading American Menswear
Designer) awards. “He was brilliant and aggressive, with a very unique vision, and as a result, he was very successful,” comments Barrato, who worked at Ralph Lauren during the same era and now sits on Robert Graham’s board.

In his spacious office at the Robert Graham showroom in New York’s garment district, Robert Stock wears his favorite go-to outfit: a Robert Graham shirt (blue and white check, not loud) and jeans. He’s a compact guy with an easygoing manner. He’s balding but his beard seems to compensate; he looks younger than he must be.

“Joe Barrato was here the other day. He said, ‘You know, your desk looks exactly like Ralph’s desk.’ I said, ‘I promise I didn’t copy it! I haven’t seen Ralph’s desk in thirty years,’ ” recounts Stock.

His desk is artistically cluttered, like a messy chic outfit or hairstyle. Coffee-table books, a cluster of fragrance bottles, an antique pencil sharpener, a globe, notepads, a color fan deck, a Mac laptop…. Another table across the room holds more fragrance bottles and plush boxes (Robert Graham is launching fragrance in 2015) and a leather couch is pleasingly strewn with fabrics, footwear sketches (launching fall 2014), men’s hats, a collage of Beatles albums and a plaid teddy bear donning a top hat—the scene could be photographed for one of those children’s “I Spy” books. A Rolling Stones poster hangs nearby.

This mélange of the whimsical, edgy, classic, colorful, artsy and erudite is like one big inspiration board—Robert Stock’s brain, picked and displayed. Behind his desk hangs a giant picture he bought at Lillian August. It features a fifties prop plane zooming over Manhattan, at such an angle that when Stock sits down he appears to be piloting it.

Stock is in the pilot’s seat here, even if an acquisition in 2011, a decade into the Robert Graham journey, brought him several copilots. After all, he is the one who happened upon some eye-catching shirts in Paris in 2001.

“There was really a tremendous void in the men’s fashion industry,” says Stock, referring to the start of the new millennium. “Everything being sold was very plain, very simple—not so different from today actually. I was at a fabric show and ran into Graham Fowler, who I used to buy a lot of prints from at Robert Stock. He had a lot of shirts hanging up in his booth, with prints on them and patchwork. They were kind of wild. I asked, ‘How many of these shirts are you selling?’ He said, ‘One of each.’ I asked, ‘How would you like to sell a couple hundred of each?’”

The pair collaborated, conceptualizing an Americanized British look. They designed the first collection in six months, working through the night. “It was a completely different look than anybody was doing: classic, fun, colorful, with fabrications and embellishments that were different than anyone had ever seen,” says Stock. “Initially when people looked at the samples, they said they couldn’t be made. Then we found Naren Goenka in India. He believed in our project and would make anything. The sky was the limit.” Upscale clothier Fred Segal in L.A. liked the shirts, and Robert Graham was off and running.

Stock never forgot a lesson he learned decades before from Ralph Lauren: “To constantly strive for perfection. He pushed and pushed until he thought a product was right.” Fowler left after a year and a half, but Stock kept pushing and partnered with Goenka. “We went from almost a kind of hippie fashion to a more refined look, and we upscaled it quite a bit,” Stock explains.

Stock offers a tour behind the scenes in the design area, where the creative energy is palpable. “I have about twelve designers working for me,” he says, noting that one focuses on trims alone. Stock points out the vintage-fabric library; a corridor of fabric samples; a New York–themed concept board and a subway scene print; hundreds of buttons; a gazillion color swatches; and his design director, Tom Main, whose tattooed biceps look like they might steer a Harley to the office (Main has worked with Stock for twenty years).  

The showroom, like every Robert Graham store, features an eclectic couch, with patches of shirt fabric; a chair made out of thirty-nine shirts and held together by twenty belts; a display table made of recycled car hoods; and a lamp shade formed from sunglasses. Everyone passing through is incredibly stylish; one guy carries a pile of pants in autumn shades, which actually match the clothes he’s wearing. There are jeans and “Jeanos” (chino pockets in front, jean style pockets in back), shirts with the old hippie-esque prints, including a psychedelic rock band in neon swirls, paint-splotched pants, luxurious knitwear, unusual women’s blouses, pastel-colored business shirts with ties in amped up Easter hues, a purple paisley shirt (“the most popular shirt right now,” he notes), a rich blue striped shirt (“the most popular shirt at Mitchells”).

For the life of Robert Graham, and over twenty years of his life, Stock has lived in Fairfield County. Perhaps this demographic—“pretty conservative when it comes to dress,” comments Stock—influenced the design of the classic X Collection.

Mitchells has carried Robert Graham for a decade. Co-CEO Bob Mitchell comments, “Robert Graham is fun. It has a whimsical nature. The details add spice, especially to the shirts. We sell everything from the most outrageous to the classic ones with fun details… What’s great is you can dress them up or down.” Mitchells is buying more categories as Robert Graham grows. “They have very loyal customers. Lovers of the shirts will buy a knit, a pullover, a sport coat.”

Stock plays down any Connecticut influence on the creative side, but on the business side Fairfield County has been key—namely due to the Sweedler brothers and a firm called Tengram. Stock stresses, “I’m just one spoke in the wheel here.”

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